Tuesday, February 28, 2006

AUT Strike Action

Lecturers unions, including the on campus AUT union have called upon Universities to honour the commitment given to government by vice-chancellors that they would boost salaries using the new income from top-up fees. An extra £3.4bn is coming into higher education due to the introduction of top-up fees and other extra money being made available to the sector. They are asking for a third of the extra money from next years top up fees to be put into staff pay: the employers have so far failed to make an acceptable response. Indeed, the last negotiating failed to see any offer from the employers tabled at all.

After the employers' failure to make an acceptable offer in response to the 2006 claim, AUT and NATFHE members voted strongly in support of both strike action and action short of a strike. Both unions have now called for strike action to take place on 7th March, followed immediately by action short of a strike - which includes an assessment boycott from 8th March until further notice.

Universities & Colleges Employers Association have released a statement, saying that 'University and HE college employers remain disappointed by the strategy of AUT and NATFHE' as they are concerned of the disruption the strike and assessment boycott will have on students, and feel that 'little could have been done to deter them from proceedings with their long-term plans to strike and boycott student assessment work.'

Although this may not involve me directly, I do work occasionally as a learning mentor, and as a humble academic myself, I face the unpalatable prospect of having to go along with the industrial action as part of a national pay dispute between the higher education teaching unions and the lecturers employers, beginning with a one-day strike on 7 March. I am in no way complaining here, as I am wholly in favour of this action. As the professionals responsible for educating future generations of graduates and postgraduates, they are paid between £24,352 and £37,513; their pay rose, in real terms, by 6.6 per cent between 1994 and 2003, compared with the following real terms increases for comparable groups:

Public sector average: +12%

Personnel, training and industrial relations managers +23%

Managers/senior officials in government (HEO to senior principal/grade 6) +31%

ICT professionals +22%

Medical practitioners +27%

Secondary education teaching professionals +12%

Chartered and certified accountants +12%

[Source: New Earnings Survey (series)]

"The shortfall of teaching funding has badly hit the salaries of academic staff, which have shown practically no increase in real terms over two decades." Tony Blair, speaking to Universities UK, 14 January 2004.

Lecturer pay was cited by university vice-chancellors as one of the key reasons behind their support for top-up fees, and committed to allocate at least a third of the extra income to lecturers' salaries.

More info, and details of how you can support the lecturer's claim for fair pay, here.

Letter to students from the AUT and NATFHE (Word document)
Statement from Universities and Colleges Employer's Association (.pdf)

NB: At the time of compiling this blog entry, the NATFHE website appears to be temporarily unavailable, hence the links to the relevant documents I have provided in the meantime.

Thank you all for your time in this matter.

Rachael.... ♥

Friday, February 24, 2006

Holy Crap! Talking Cats!!

Holy Crap! Talking Cats!!

Fabulous!

Wednesday, February 22, 2006

Misheard this week:

In a European Studies lecture on Postmodernism:
"The only overtly political artist in music today would probably be MMM,"
Who? MMM? Never heard of him.
Oh! Eminem! D'oh!
(Kindly pointed out by fellow student sat next to me after sneakily reading my notes)

On BBC Radio 6 yesterday:
"That was the lovely new single from Vagina Inspector, 'US'"
Vagina Inspector? What sort of a name is that? Whatever is the world coming to?
Ah! Regina Spektor! Oops!
(Kindly corrected by Wifeage™ after much laughter)

There were others but I am unable to remember them right now.

Tuesday, February 14, 2006

You've got no chance of making a living out of music.

Statistically, it's a non starter, and as soon as you want to make a living out of it, you start sucking dick and the music turns crap. Usually - but not necessarily.

Most people who do make a living out of music often labour under the deluded notion that their success is due to their own talent, insight, intelligence and good looks. Whereas they usually just happened to coincide with a dip in the social fashion continuum and got thrown off on one. There is success and achievement among the genuinely talented and emotionally powerful, but it is all subject to the unpredictabilities of chance, market positioning and industry bribery. There is no formula or helpful foresight, other than knowing that if you don't get off your butt, you ain't gonna get that gold disc. It also helps to be good looking, have an attitude, a great voice, corking songs with a good hook, a rich and well-connected manager, a good PR company etc etc. But these are neither necessary nor sufficient conditions for achieving anything.

If it's millions you're after, the statistics get even worse. Wait until Elton, Michael, and Billy retire or die.

If it's TV theme tunes you're after, move to London, get matey, and prepare to kiss your health, your life and your girlfriend/boyfriend goodbye in favour of shrinking budgets, deadlines measured in minutes, and plummeting programme quality. Again, you may avoid all of these pitfalls, but don't get your hopes up.

If you want to get rich selling your precious art, remember that in order for a song to be popular, lots of people have to like it. Just because a song is popular doesn't mean that it's not good art or that it's crap, and just because a song is unpopular doesn't mean it's great art or a great song. In the same way that a fat ugly woman is not necessarily really nice, loving and interesting, and a beautiful model is not necessarily shallow, boring and manipulative. Equally, if a song is not popular but you like it, it doesn't mean that it's a good or bad song - it just means that you like it and others don't. If you want to sell records, people have to like your song(s). That shouldn't be the prime consideration in writing the songs - just be aware of it when selecting the songs to offer for sale. Some art should definitely go into private collections. Preferably before the auction.

Success in music is not the same as making a living out of music. One is a matter of quality, fulfilment, and sales, the other is a matter of sales. Learn to swim with the sharks, and dream on.

"Music" is not what it was. The best that music has to offer can be enjoyed either with friends and a stereo, or with cheap instruments, alone or with more friends. Music is becoming a service on demand - an ever more ephemeral lifestyle accompaniment. The ownership of digital bits is becoming less valued, and the arbiters of taste are becoming more important than the artist. In the overdeveloped countries anyway. Most of Asia listens almost exclusively to Bob Marley, Celine Dion and Samantha Fox, and not with a view to incorporating those fab western production values into their own polyrhythmic heritage, irrespective of anything Andy Kershaw says.

Music remains one of the truly enriching parts of life. The brain thrives on good music. If you've forgotten what good music is, then get plugged in. Go to a concert, play some of your old records loud, go to Japan and see some Taiko drumming, sing in the shower, WAKE UP. Good music can usually be identified by a strong emotional reaction of some kind. Preferably positive. Some people think the purpose of life is to be happy. I for one am inclined to agree.

Sunday, February 12, 2006

Parting Note?

A few words concerning certain magazines, journalists, labels and others in the music industry.

Dare anyone commit themselves before the 'godlike' characters you yourselves created give the okay? Or are you gutless pieces of shit?
That was a rhetorical question, by the way.

To offer an honest opinion seems unheard of now. 'You suck my dick and I'll suck yours' appears to have been the state of play since day one. Does anyone give constructive criticism any more? Very few do, and most choose to weave paragraphs of non-commital bullshit. You continue to promote the obvious, it's fortune decided before it's even been heard. To declare talent, effort and work, or even that an artist is trying, whether successfully or not, seems to be far too hard a job.

Within my creative output lies the good, the bad, the crap and the indifferent. Let's see which of you pick up on what I have created. Let's see if you can distinguish between good from bad, or have you been telling stories for so long now that you've forgotten how to communicate in an apt and straightforward manner.
And that would be rhetorical question number two.

Thursday, February 02, 2006

Ménière's Disease

I returned from a routine visit to my audiologist about two hours ago, and it seems we are a little clearer as to why I am often physically sick whenever I brush my hair, why certain noise frequencies cause me intense pain to the point of migraines and vomiting, and why my vertigo is always much worse following certain events or activities, not to mention the recurring bouts of intense tinnitus. It could also contribute to why my seizure threshold is somewhat awry.

I am going to be screened for a potential diagnosis of Ménière's Disease, if only to rule it out, although I am told this is most likely to be the reason behind the aforementioned symptoms. Quite frankly, I am understandably concerned about this, as this has certain ramifications on my musical output, not to mention having to adapt further if I am to continue my number one passion of equestrianism. It has been made abundantly clear that my hearing is becoming ever worse, and today, my hearing aids (BTEs) were adjusted further to enhance the hearing I am missing. Although I left the appointment hearing a little more than what I went in with, this does not remove the obvious concern. I left with an array of literature and all the signs appear to point toward a diagnosis of Ménière's Disease.

I guess I'd best get brushing up on Ye Olde Signe Language again. My BSL is as rusty as a very rusty thing indeed. At best, whatever speech I hear right now is like a jumble of metallic noises minus the consonants. Imagine Kraftwerk played very very fast and in reverse and you're about there, and this is with my hearing aids in.

Ah well. C'est la vie....

I hope you are all having a much better time than I am. Really, I mean that most sincerely.
Rachael.... ♥

Wednesday, February 01, 2006

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